Photography

I work primarily with vintage digital cameras from the late 1990s and early 2000s, embracing their primitive sensors and technical limitations to create images that occupy a liminal space between past and future. The lo-fi aesthetic; pixelated grain, chromatic aberrations, and colour shifts, becomes a form of hauntology, where obsolete technologies reveal the ghosts of discarded digital futures. By finding poetry in these technological failures, I explore themes of memory, decay, and the uncanny tension between obsolescence and progress.

Karkinos

2026

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